I've contributed art, copy, and associated branding to some of the entertainment world's biggest franchises. Check out the sliding gallery below for a peek at some of my faves. You can also SCROLL DOWN to see more categories or click on the WORK menu above. 



When I was eight, my dad and I wandered into one of the movie poster shops on Hollywood Blvd. Captivated by images of Fantastic Voyages, Ultimate Trips, and Towering Infernos, I've been a fan of Key Art ever since.  

Producing one sheets is a collaborative process. Along with overseeing teams of illustrators, photographers and designers, one of my main contributions as creative director has often been the initial concept. Click on the gallery below to see the thumbnails behind the posters, or keep SCROLLING DOWN to see more work. . .


Early in my career, I asked a client how many lines I should include in a copy submission. Her answer always stayed with me: “One good one.” 




A good trailer or TV spot often begins with the script. My specialty is concept-driven teasers, but a knack for writing tags and buttons doesn't hurt.



I've created a range of content in a variety of media -- from blogs, videos and interactive apps to EPK's, online games, and websites (including this one).



I enjoy working with all kinds of media, but if you really want to impress your kids it helps to design a game box. . .

Epic Mickey and Epic Mickey: The Power of Two offered a rare opportunity to brand an iconic character for an all-new entertainment format (well, new for Mickey Mouse). The games also reintroduced Oswald the Lucky Rabbit to a new generation of Disney fans.

Click on the box for a peek beneath the cover 

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Prior to advertising, I spent a few years as a professional screenwriter. The scripts I'm most proud of never got produced (welcome to the WGA), but now when a client asks if I have experience writing dialogue or crafting narratives I can truthfully answer "You betcha!" 

Here are some sample pages from my misadventures in the screen trade . . .

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